I've dreamt in my life dreams that have stayed with me ever after, and changed my ideas: they've gone through and through me, like wine through water, and altered the color of my mind.
Emily Bronte
Wuthering Heights

vrijdag 31 juli 2015

Charlotte Bronte and Turner.

Letter to W. S. Williams (31 July 1848)

I have lately been reading Modern Painters, and I have derived from the work much genuine pleasure and, I hope, some edification; at any rate it made me feel how ignorant I had previously been on the subject which it treats. Hitherto I have only had instinct to guide me in judging of art; I feel now as if I had been walking blindfold — this book seems to give me eyes. I do wish I had pictures within reach by which to test the new sense. Who can read these glowing descriptions of (J. M. W.) Turner’s works without longing to see them? However eloquent and convincing the language in which another’s opinion is placed before you, you still wish to judge for yourself. I like this author’s style much; there is both energy and beauty in it: I like himself too, because he is such a hearty admirer. He does not give Turner half-measure of praise or veneration; he eulogizes, he reverences him (or rather his genius) with his whole soul. One can sympathize with that sort of devout, serious admiration (for he is no rhapsodist) one can respect it; and yet possibly many people would laugh at it. I am truly obliged to Mr. Smith for giving me this book, not having often met with one that has pleased me more.
  • Charlotte Brontë, on Modern Painters, Vol. 1 (1843), by John Ruskin. Letter to W. S. Williams (31 July 1848) The Letters of Charlotte Brontë
gutenberg


Frosty Morning was painted from a scene that Turner had witnessed in Yorkshire and when Claude Monet saw the painting decades later, he declared that Turner had painted it with “wide-open eyes.”
arteyewitness/turner-constable

Charlotte Brontë wrote in 1848 to WS Williams on reading Ruskin’s Modern Painters.
A year later on 5 December she sent a letter to her father from London:
‘I have seen the pictures in the National Gallery.  I have seen a beautiful exhibition of Turner’s paintings’.
carefully distinguishing one from the other (as Heather Glen notes in Charlotte Brontë: The Imagination in History OUP 2002).  On 14 February 1850 she wrote to her friend Margaret Wooler of having seen
‘one or two private collections of Turner’s best water colour drawings’ as well as ‘his later oil-paintings’. turnerintottenham
What became the first volume of Modern Painters (1843), published by Smith, Elder & Co. under the anonymous but authoritative title, "A Graduate of Oxford," was Ruskin’s response to Turner’s critics. wiki/John_Ruskin

Paintings of Turner. google/Turner 

donderdag 30 juli 2015

Emily Bronte's birthday and the diary papers she and Anne were writing on her birthdays.

 
Today we celebrate
the birthday of Emily Bronte
 
Emily Bronte was born on 30 juli 1818
Emily and Anne Bronte
had agreed to write each a kind of reminiscence
 every four years
 to be opened by Emily on her birthday
 
Here the drawings Emily made on these diary papers
 
 
 
 The table was featured in an 1837 diary paper sketch by Emily,
 showing herself and Anne writing at the table with all their papers scattered before them.
  
 
 
Aren't they great these drawings?
 
Can we not imaging Emily
 sitting in her small room with Keeper at her feet
Or laying on her bed watching the stars in te night
 creating her beautiful strong poems and Wuthering Heights?
 
 
No Coward Soul is Mine
No coward soul is mine,
No trembler in the world’s storm-troubled sphere:
I see Heaven’s glories shine,
And faith shines equal, arming me from fear.
 
Remembrance
Cold in the earth—and the deep snow piled above thee,
Far, far, removed, cold in the dreary grave!
Have I forgot, my only Love, to love thee,
Severed at last by Time's all-severing wave?
 
 
 
 Clement Shorter: The last words that I have to say concerning Emily
 are contained in a letter to me from Miss Ellen Nussey.
‘So very little is known of Emily Brontë,’ she writes, ‘that every little detail awakens an interest.  Her extreme reserve seemed impenetrable, yet she was intensely lovable; she invited  confidence in her moral power. Few people have the gift of looking and smiling as she could look and smile.  One of her rare expressive looks was something to remember through life, there was such a depth of soul and feeling, and yet a shyness of revealing herself—a strength of self-containment seen in no other. She was in the strictest sense a law unto herself, and a heroine in keeping to her law. She and gentle Anne were to be seen twined together as united statues of power and humility. They were to be seen with their arms lacing each other in their younger days whenever their occupations permitted their Union. On the top of a moor or in a deep glen Emily was a child in spirit for glee and enjoyment; or when thrown entirely on her own resources to do a kindness, she could be vivacious in conversation and enjoy giving pleasure. A spell of mischief also lurked in her on occasions when out on the moors. She enjoyed leading Charlotte where she would not dare to go of her own free-will. Charlotte had a mortal dread of unknown animals, and it was Emily’s pleasure to lead her into close vicinity, and then to tell her of how and of what she had done, laughing at her horror with great amusement. If Emily wanted a book she might have left in the sitting-room she would dart in again without looking at any one, especially if any guest were present. Among the curates, Mr. Weightman was her only exception for any conventional courtesy. The ability with which she took up music was amazing; the style, the touch, and the expression was that of a professor absorbed heart and soul in his theme. The two dogs, Keeper and Flossy, were always in quiet waiting by the side of Emily and Anne during their breakfast of Scotch oatmeal and milk, and always had a share handed down to them at the close of the meal. Poor old Keeper, Emily’s faithful friend and worshipper, seemed to understand her like a human being.  One evening, when the four friends were sitting closely round the fire in the sitting-room, Keeper forced himself in between Charlotte and Emily and mounted himself on Emily’s lap; finding the space too limited for his comfort he pressed himself forward on to the guest’s knees, making himself quite comfortable.  Emily’s p. 180heart was won by the unresisting endurance of the visitor, little guessing that she herself, being in close contact, was the inspiring cause of submission to Keeper’s preference. Sometimes Emily would delight in showing off Keeper—make him frantic in action, and roar with the voice of a lion.  It was a terrifying exhibition within the walls of an ordinary sitting-room.  Keeper was a solemn mourner at Emily’s funeral and never recovered his cheerfulness.’gutenberg CHAPTER VI
More about Clement Shorter: independent
 
 
Clement Shorter received the diary papers from Arthur Bell Nicolls when he was visiting him in Ireland after the death of Charlotte Bronte. I am still searching on the internet of  a story about this happening.
 
Anne repplies: It's my understanding Arthur found these papers hidden in a tin box in 1895 . If it was Charlotte who destroyed Emily and Anne's papers, she missed gems because they were hidden.

Arthur found them when looking over what he had for Shorter...He didn't know of them before. Nicholls said to Shorter, that if he had not asked him to look for items, it's likely this box would have been discarded when Arthur passed ...and what if he had not brought that box from Haworth 40 years before ?!

We can't fault Arthur for being possessive when we have benefited by it so richly. Many Bronte items would have been lost if he had not held on to them for those 40 years When giving Shorter the diaries , Arthur said with feeling " Those poor girls!"

The Parlour

The Parlour

Parsonage

Parsonage

Charlotte Bronte

Presently the door opened, and in came a superannuated mastiff, followed by an old gentleman very like Miss Bronte, who shook hands with us, and then went to call his daughter. A long interval, during which we coaxed the old dog, and looked at a picture of Miss Bronte, by Richmond, the solitary ornament of the room, looking strangely out of place on the bare walls, and at the books on the little shelves, most of them evidently the gift of the authors since Miss Bronte's celebrity. Presently she came in, and welcomed us very kindly, and took me upstairs to take off my bonnet, and herself brought me water and towels. The uncarpeted stone stairs and floors, the old drawers propped on wood, were all scrupulously clean and neat. When we went into the parlour again, we began talking very comfortably, when the door opened and Mr. Bronte looked in; seeing his daughter there, I suppose he thought it was all right, and he retreated to his study on the opposite side of the passage; presently emerging again to bring W---- a country newspaper. This was his last appearance till we went. Miss Bronte spoke with the greatest warmth of Miss Martineau, and of the good she had gained from her. Well! we talked about various things; the character of the people, - about her solitude, etc., till she left the room to help about dinner, I suppose, for she did not return for an age. The old dog had vanished; a fat curly-haired dog honoured us with his company for some time, but finally manifested a wish to get out, so we were left alone. At last she returned, followed by the maid and dinner, which made us all more comfortable; and we had some very pleasant conversation, in the midst of which time passed quicker than we supposed, for at last W---- found that it was half-past three, and we had fourteen or fifteen miles before us. So we hurried off, having obtained from her a promise to pay us a visit in the spring... ------------------- "She cannot see well, and does little beside knitting. The way she weakened her eyesight was this: When she was sixteen or seventeen, she wanted much to draw; and she copied nimini-pimini copper-plate engravings out of annuals, ('stippling,' don't the artists call it?) every little point put in, till at the end of six months she had produced an exquisitely faithful copy of the engraving. She wanted to learn to express her ideas by drawing. After she had tried to draw stories, and not succeeded, she took the better mode of writing; but in so small a hand, that it is almost impossible to decipher what she wrote at this time.

I asked her whether she had ever taken opium, as the description given of its effects in Villette was so exactly like what I had experienced, - vivid and exaggerated presence of objects, of which the outlines were indistinct, or lost in golden mist, etc. She replied, that she had never, to her knowledge, taken a grain of it in any shape, but that she had followed the process she always adopted when she had to describe anything which had not fallen within her own experience; she had thought intently on it for many and many a night before falling to sleep, - wondering what it was like, or how it would be, - till at length, sometimes after the progress of her story had been arrested at this one point for weeks, she wakened up in the morning with all clear before her, as if she had in reality gone through the experience, and then could describe it, word for word, as it had happened. I cannot account for this psychologically; I only am sure that it was so, because she said it. ----------------------She thought much of her duty, and had loftier and clearer notions of it than most people, and held fast to them with more success. It was done, it seems to me, with much more difficulty than people have of stronger nerves, and better fortunes. All her life was but labour and pain; and she never threw down the burden for the sake of present pleasure. I don't know what use you can make of all I have said. I have written it with the strong desire to obtain appreciation for her. Yet, what does it matter? She herself appealed to the world's judgement for her use of some of the faculties she had, - not the best, - but still the only ones she could turn to strangers' benefit. They heartily, greedily enjoyed the fruits of her labours, and then found out she was much to be blamed for possessing such faculties. Why ask for a judgement on her from such a world?" elizabeth gaskell/charlotte bronte



Poem: No coward soul is mine

No coward soul is mine,
No trembler in the worlds storm-troubled sphere:
I see Heavens glories shine,
And faith shines equal, arming me from fear.


O God within my breast.
Almighty, ever-present Deity!
Life -- that in me has rest,
As I -- Undying Life -- have power in Thee!


Vain are the thousand creeds
That move mens hearts: unutterably vain;
Worthless as withered weeds,
Or idlest froth amid the boundless main,


To waken doubt in one
Holding so fast by Thine infinity;
So surely anchored on
The steadfast Rock of immortality.


With wide-embracing love
Thy Spirit animates eternal years,
Pervades and broods above,
Changes, sustains, dissolves, creates, and rears.


Though earth and man were gone,
And suns and universes ceased to be,
And Thou wert left alone,
Every existence would exist in Thee.


There is not room for Death,
Nor atom that his might could render void:
Thou -- Thou art Being and Breath,
And what Thou art may never be destroyed.


--
Emily Bronte

Family tree

The Bronte Family

Grandparents - paternal
Hugh Brunty was born 1755 and died circa 1808. He married Eleanor McClory, known as Alice in 1776.

Grandparents - maternal
Thomas Branwell (born 1746 died 5th April 1808) was married in 1768 to Anne Carne (baptised 27th April 1744 and died 19th December 1809).

Parents
Father was Patrick Bronte, the eldest of 10 children born to Hugh Brunty and Eleanor (Alice) McClory. He was born 17th March 1777 and died on 7th June 1861. Mother was Maria Branwell, who was born on 15th April 1783 and died on 15th September 1821.

Maria had a sister, Elizabeth who was known as Aunt Branwell. She was born in 1776 and died on 29th October 1842.

Patrick Bronte married Maria Branwell on 29th December 1812.

The Bronte Children
Patrick and Maria Bronte had six children.
The first child was Maria, who was born in 1814 and died on 6th June 1825.
The second daughter, Elizabeth was born on 8th February 1815 and died shortly after Maria on 15th June 1825. Charlotte was the third daughter, born on 21st April 1816.

Charlotte married Arthur Bell Nicholls (born 1818) on 29th June 1854. Charlotte died on 31st March 1855. Arthur lived until 2nd December 1906.

The first and only son born to Patrick and Maria was Patrick Branwell, who was born on 26th June 1817 and died on 24th September 1848.

Emily Jane, the fourth daughter was born on 30th July 1818 and died on 19th December 1848.

The sixth and last child was Anne, born on 17th January 1820 who died on 28th May 1849.

Top Withens in the snow.

Top Withens in the snow.

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